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Everything about Crimes And Misdemeanors totally explained

Crimes and Misdemeanors is a 1989 film written and directed by Woody Allen. It stars Allen, Martin Landau, Mia Farrow, Anjelica Huston, Jerry Orbach, Alan Alda, Sam Waterston and Joanna Gleason. The film was met with critical acclaim and was nominated for the following Academy Awards:

Plot

The film is set in New York City and follows two main characters: Judah (Landau), a successful ophthalmologist, and Cliff (Allen), a failed documentary filmmaker. The two men are each confronted with moral crises.
   Judah's crisis concerns the affair he'd with an airline stewardess named Dolores (Huston). After Judah unceremoniously ends their relationship, Dolores, scorned, threatens to tell his wife about their affair. Desperate, Judah turns to his brother, Jack (Orbach), a small-time gangster, who hires a hit man to kill Dolores. Stricken with guilt, Judah turns to the religious teachings he'd rejected as a child, believing for the first time that a just God is watching him and passing judgement.
   Cliff, on the other hand, is hired by his pompous brother-in-law, Lester (Alda), a successful television producer. Thus, Cliff is to make a documentary celebrating a man he hates. While filming, he falls in love with Halley (Farrow), Lester's associate producer. At the time, Cliff is despondent over his failing marriage to his wife Wendy (Gleason), and he woos Halley. He clashes with Lester, and when he completes his documentary it contains scenes (which Cliff thinks are simply accurate) comparing Lester to Benito Mussolini and Francis the Talking Mule, side by side with candid clips showing an unsuspecting Lester yelling at his staff and trying to pick up female employees.
   When Lester sees the film, he's furious and fires Cliff. Cliff continues to pursue Halley, who eventually rejects him for Lester. Allen portrays Lester as at once Cliff's polar opposite - a dimwit who mispronounces "foliage" ("foilage") and "nuclear" ("nukuler") - but also his equal - Lester quotes Emily Dickinson in one key scene, which rebuffs Cliff and impresses Halley. At the end of the film, at a party, Cliff learns that Lester had sent Halley dozens of white roses for weeks at a time when they'd been working together in London. Halley soon after falls in love with Lester. Cliff is crestfallen as he realizes he's incapable of that kind of affectionate display (his last romantic gesture to her had been a love letter he'd plagiarized almost entirely from James Joyce's novel Dubliners).
   In the final scene, Judah, who has worked past his guilt and is enjoying life once more, draws Cliff into a discussion about their moral quandaries. Judah says that with time, any crisis will pass, but Cliff morosely claims instead that one is forever fated to bear one's burdens for "crimes and misdemeanors." The film ends with a narration by a professor — a character who had earlier committed suicide - who discusses the joy in the world over a replay of key previous scenes.

Influences

The film appears to be heavily influenced by the films of director Ingmar Bergman. There is one key scene in which Judah relives a memory from his childhood while visiting his former home that's nearly identical, in terms of thematic intent and staging, to a scene from Bergman's Wild Strawberries. Additionally, the film's cinematographer is Bergman's long-time collaborator Sven Nykvist.
   The philosopher committing suicide is influenced by Federico Fellini’s La Dolce Vita, where a similar character also commits suicide, although in Fellini’s film, he murders his children before doing so.

Music

As with most of his films, Allen makes use of classical and jazz music in many of the film's scenes. The soundtrack includes Franz Schubert's String Quartet #15 in G, which is used in the scenes leading up to Dolores' death, and Judah discovering her body.

Box Office

The North American box office tally for Crimes and Misdemeanors was $18,254,702.

Further Information

Get more info on 'Crimes And Misdemeanors'.


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